wetheurban:

ART: Hip Hop x High Art = Fly Art

Fly Art, a Tumblr account created by students Gisella Velasco and Toni Potenciano has been perfectly mixing popular rap lyrics and Renaissance paintings since December 2013 and we only can hope that they never stop. 

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(via friendofhagrid)

ichthyologist:

Poison Dart Frog

Poison dart frogs consist of the family Dendrobatidae and are native to the rainforests of South and Central America. They are known for their bright colours and toxic secretions, which have been used by indigenous cultures to create poisonous darts for hunting.

The conspicuous colorations and patterns of the frogs warns potential predators of their toxicity. It is hypothesised that the frogs gain their poisons from their diet, which can consist of ants, centipedes and mites. In captivity, frogs which are reared on diets without these alkaloid poisons have a significantly lower level of toxins.

Around 4 species are used by indigenous peoples to lace darts with deadly toxins. The frogs are carefully exposed to fire, which causes them to exude a poisonous fluid. The tips of arrows and darts are soaked in this fluid and will remain deadly for 2 years.

Geoff Gallice, Drriss & Marrionn on Flickr

Pesto chicken on zucchini noodles with sautéed mushrooms and onions.  Attempting to eat a bit healthier than I have been.

Pesto chicken on zucchini noodles with sautéed mushrooms and onions. Attempting to eat a bit healthier than I have been.

freakypup:

love poem for myself / collection of things i’m working towards believing, part 1. i made this for my comics project! sorry the scan quality isn’t so great.

(Source: tweecore, via child-of-the-universe)

Sorry for such a break y’all. I’ve been focusing a lot on Twitter lately, just because without a laptop Tumblr is a little more difficult to churn out quality content (the mobile app is alright, but not perfect by any means).

I’ll try to balance it out a bit more though, because I really enjoy both! How’s everyone doing? Fantastically, I hope.

cartermagazine:

Today In History
‘Diana Ross, actress, legendary solo singer, and lead singer for the Supremes, was born in Detroit, MI, on this date March 26, 1944. In 1993, the Guinness Book of Records awarded her its Lifetime Achievement Award and title of “most successful female vocalist of all time.”’
(photo: Diana Ross)
- CARTER Magazine

cartermagazine:

Today In History

‘Diana Ross, actress, legendary solo singer, and lead singer for the Supremes, was born in Detroit, MI, on this date March 26, 1944. In 1993, the Guinness Book of Records awarded her its Lifetime Achievement Award and title of “most successful female vocalist of all time.”’

(photo: Diana Ross)

- CARTER Magazine

(via npr)

rtamerica:

Unconstitutional for Oklahoma to keep execution drugs secret, says judge
Oklahoma’s capital punishment law has been ruled unconstitutional by a state judge based on a provision that allows officials to withhold the source of execution drugs from inmates.
Under Oklahoma law, there is no way, even through the court system, that an inmate can compel the state to disclose the source of lethal injection drugs. Oklahoma County District Judge Patricia Parrish said this violates the inmates’ constitutional rights.
"I think that the secrecy statute is a violation of due process because access to the courts has been denied,"Parrish ruled, according to AP.

Can’t blame prisoners for wanting to know what the drugs that are going to kill them are made from, and who produces them.
In fact, inmates in Texas are suing for the same thing.

rtamerica:

Unconstitutional for Oklahoma to keep execution drugs secret, says judge

Oklahoma’s capital punishment law has been ruled unconstitutional by a state judge based on a provision that allows officials to withhold the source of execution drugs from inmates.

Under Oklahoma law, there is no way, even through the court system, that an inmate can compel the state to disclose the source of lethal injection drugs. Oklahoma County District Judge Patricia Parrish said this violates the inmates’ constitutional rights.

"I think that the secrecy statute is a violation of due process because access to the courts has been denied,"Parrish ruled, according to AP.

Can’t blame prisoners for wanting to know what the drugs that are going to kill them are made from, and who produces them.

In fact, inmates in Texas are suing for the same thing.

(via aboriginalnewswire)

blackinasia:

Lee Michelle’s “Without You” Video: Challenging Colorism and Crafting a Beautiful Message of Self-Love

On my blog I discuss kpop quite a bit, particularly since many kpop idols are some of the worst serial offenders in terms of their antiblackness and cultural appropriation. It was therefore a pleasant surprise for me to watch this video by Lee Michelle (a biracial former contestant on the first season of “K-pop Star”), which breaks this mold.

Before proceeding I would like to briefly note that there have been biracial stars in Korea before. But when we talk about “biracial” or “mixed” children in the context of Korea, it’s so important that we think critically about what we mean when we say “mixed”. When kpop sites talk about “biracial” kpop stars, they default to white and typically mean mixed “white-Korean”. They will go so far as conflating the experiences of mixed white-Korean children with those of black-Korean children in the same article and somehow think that their articles still have credibility. These experiences are simply not the same and conflating them together is not only intellectually lazy but insulting. Yes, Korea has a relative obsession with racial purity which does affect both groups, but global white supremacy, colorism and virulent antiblackness makes the situation for mixed black-Korean children significantly worse than that of mixed white-Korean children.

[image description: a portrait of Tasha Yoon Mi-Rae, a biracial half-black Korean R&B artist who has spoken eloquently about colorism in her music Photo via Generasia]

The lived experiences of people like Daniel Henney (mixed white-Korean) who get widely praised for their features and appearance, and that of Lee Michelle who is half black, dark skinned, has coarse hair and does not have passing-privilege as full Korean are not the same. Colorism already affects darker-skinned Koreans in incredibly damaging ways, and intersecting that experience with racism makes this doubly hard for mixed-black Koreans.

And so Lee Michelle’s presence in the industry matters.  Tasha Yoon-Mi Rae has discussed colorism and the discrimination she has faced for her mixed-black heritage eloquently in her song “Black Happiness,” and in a similar way “Without You” has also struck a chord with me.

[image description: a promotional picture of Lee Michelle Photo via 24-7kpop]

“Without you” lyrically is a breakup song directed at one man, but the chorus in particular is significant in which she asserts: 

I’m beautiful without you
I’m meaningful without you
I’m still beautiful even if I wasn’t loved by you

And then she continues:

I’m so angry
Everyone treated me like you did, baby
Now I’ll erase you and wipe my tears
So I can receive a love that’s better than yours and different from yours

With these words, Lee Michelle asserts her beauty for herself and for the listener in turn. For a dark skinned, mixed black girl growing up in South Korea to assert this in the midst of a society where light skin and racial “purity” are prized and antiblack sentiments are rampant is a radical act indeed. Without a doubt Lee Michelle typically grew up hearing everything but “you are beautiful.” It is almost certain that like other mixed black children in Korea, she was mocked and teased mercilessly for her hair texture, “black” feature and dark skin. These things in the eyes of many simply precluded her from beauty, she was “ugly”- simple as that.

So in this song, ostensibly directed at one boy, we find a declaration of self-love and emancipation from damaging colorist, racist, societal standards of beauty. If you’re not going to love yourself in a society which doesn’t cherish people who look like you, then who will? Lee Michelle finds this answer within herself, which is a theme echoed by the music video.

[image description: an image still from the “Without You” video of a young biracial [black-Korean] girl]

In the video, a young biracial (mixed black-Korean) girl is shown walking down the street before she lingers on the image of a black graffiti figure. As she peers at the figure, she suddenly begins to run, being chased by an unseen monster. I saw this as representative of the unseen, but pervasive societal pressures pushing her from accepting herself, her blackness and her features, even at that young age.

Being chased into a shelter, she then proceeds to draw many figures with dark features on the wall. Staring into a mirror, she then proceeds to powder her face white and put on lipstick. A white-washed version of Lee Michelle then appears on camera with a light powdered face, red lips and straightened hair to evoke an image of the person this little girl “aspires” to be—an image crafted in the crucible of societal beauty standards that denies her as beautiful the way she is. The little girl begins to weep. There is ultimately no joy or happiness in self-rejection and hatred.

[image description: A screencap from the “Without You” video of the young biracial girl crying with white powder on her cheeks and bright red lipstick on her lips]

This all comes full circle at the end of the music video when this little girl begins to throw paint balls at a colorless portrait of Lee Michelle. This scene evoked for me the acceptance of oneself regardless of your skin color and in the face of interlocking systems of domination which deny you your agency and being. The ecstasy on the little girl’s face as she throws each paint bomb and asserts this again and again is so indicative of this. To complete her journey to self-love and actualization, she then walks through a magical door of light, which appears on the wall she just painted, and approaches an adult Lee Michelle. They look at one another and smile and Lee Michelle sings “Without you, I’m alright” one last time.

A message of self-love indelibly crafted which will resonate with people who suffer from colorist and racist standards of beauty across the globe. A moving video, and I wish Lee Michelle the best with this promising start to her professional career, and I am incredibly glad that YG Entertainment no longer has their hands on her, given their history of antiblackness. Congratulations, Michelle!

 I would like to thank all of my followers who took the time to send me links to this video and made me aware of it. You’re the best!

Related articles:

+ Kpop’s Top 10 Racist Moments of 2013

+ How problematic is the kpop world? (Master post)

+ Tasha Yoon-Mi Rae’s “Black Happiness” music video

+ EXO’s colorism and denigration of Kai

(Source: owning-my-truth, via reverseracism)

anarcho-queer:

Associated Press: Record Amount of Censorship From Obama Administration
The Obama administration more often than ever censored government files or outright denied access to them last year under the U.S. Freedom of Information Act, cited more legal exceptions it said justified withholding materials and refused a record number of times to turn over files quickly that might be especially newsworthy, according to a new analysis of federal data by The Associated Press.
The government’s efforts to be more open about its activities last year were their worst since President Barack Obama took office.
In a year of intense public interest over the National Security Agency’s surveillance programs, the government cited national security to withhold information a record 8,496 times — a 57 percent increase over a year earlier and more than double Obama’s first year, when it cited that reason 3,658 times. The Defense Department, including the NSA, and the CIA accounted for nearly all those. The Agriculture Department’s Farm Service Agency cited national security six times, the Environmental Protection Agency did twice and the National Park Service once.
Associated Press has also called for a push in independent coverage of the president.
The White House routinely bans news media from president meetings with foreign leaders and other events, then releases its own photos of those events.
The presidents of the American Society of Newspaper Editors and the Associated Press Media Editors have urged their members to stop using White House handout photos and video, saying they amount to propaganda.

anarcho-queer:

Associated Press: Record Amount of Censorship From Obama Administration

The Obama administration more often than ever censored government files or outright denied access to them last year under the U.S. Freedom of Information Act, cited more legal exceptions it said justified withholding materials and refused a record number of times to turn over files quickly that might be especially newsworthy, according to a new analysis of federal data by The Associated Press.

The government’s efforts to be more open about its activities last year were their worst since President Barack Obama took office.

In a year of intense public interest over the National Security Agency’s surveillance programs, the government cited national security to withhold information a record 8,496 times — a 57 percent increase over a year earlier and more than double Obama’s first year, when it cited that reason 3,658 times. The Defense Department, including the NSA, and the CIA accounted for nearly all those. The Agriculture Department’s Farm Service Agency cited national security six times, the Environmental Protection Agency did twice and the National Park Service once.

Associated Press has also called for a push in independent coverage of the president.

The White House routinely bans news media from president meetings with foreign leaders and other events, then releases its own photos of those events.

The presidents of the American Society of Newspaper Editors and the Associated Press Media Editors have urged their members to stop using White House handout photos and video, saying they amount to propaganda.